2020-05-02 | ⭐ 0.0
In Eat British Potatoes Again, Sophie Lindsey explores nationhood through...
In Seán Martin's "Koan IV", an opening provocation suggests that the things...
Ppresenting a divided image of light and shade, of the seen and the...
Robert Orlowski’s Continuous Becoming, shot on 16mm film, repeats a...
In his film-poem Shades of Mensa, Jon Ratigan pairs glyphs and typograms...
Sorry! Dan is back and is joined as always by Brody King and Jeff Cobb. We...
Zlatko Ćosić’s Dirty Look is a suspenseful study in stillness: the reduced...
In Julia Kater’s That Which Watches Us, a group of people builds a scaffold...
Power Grab by Nicola Singh and Helen Collard focuses on the interplay of...
Considering sound over language, Colleen Pesci’s Cat Secrets explores the...
Through a landscape dream sequence with few written words, Ana Bravo Pérez’s...
Julia Parks' The Girl Who Forgets How to Walk offers up precise descriptions...
Until now, Carlo thought he was living a quiet, manageable life. And he...
Hannah Beadman explores a different approach to the body in Aphrodite, in...
2020-05-01 | ⭐ 10.0
With Its Myriad Of Mysteries Ancient Egypt Continues To Work Its Spell. The...
Richard slips into insanity after deciding to stay up all night in order to...
A short movie is as it is. It contains feelings, certainty, memories,...
High Wire examines the reasons that Canada declined to take part in the 2003...
